Critical Mass - Happenings, Fluxus, Performance, Intermedia, and Rutgers University, 1958-1972

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All ProductsApparelBabyBeautyBooksClassical MusicDVDDigital MusicElectronicsGourmet FoodHealth & Personal CareJewelryKitchen & HousewaresMagazinesMiscellaneousMusicMusic TracksMusical InstrumentsOffice ProductsOutdoor LivingPC HardwarePet SuppliesPhotoRestaurantsSoftwareSporting GoodsTools & HardwareToysVHSVideo (DVD & VHS)Video GamesWirelessWireless Accessories    by: Geoffrey Hendricks See Larger Image Amazon.com's Price: $30.00 Prices subject to change. Used Price: $14.99 Third Party New Price: $16.30 Availability: Usually ships in 24 hours This item ships for FREE with Super Saver Shipping. Binding: Paperback Dewey Decimal Number: 709 EAN: 9780813533032 ISBN: 0813533031 Label: Rutgers University Press Manufacturer: Rutgers University Press Number Of Items: 1 Number Of Pages: 211 Publication Date: 2003-06 Publisher: Rutgers University Press Sales Rank: 922165 Studio: Rutgers University Press Related Items: Fluxus Experience (Ahmanson-Murphy Fine Arts Book) A Flexible History of Fluxus Facts & Fictions Essays on the Blurring of Art and Life Six Years: The Dematerialization of the Art Object from 1966 to 1972 Silence: Lectures and Writings see more Editorial Review: Product Description: Rutgers University, from 1958 to 1972, was at the center of many new developments in the art world. Artists connected with Happenings and Fluxus created works that had a major impact in New York and abroad. A dozen years after Allan Kaprow’s first Happening on Rutgers University’s Douglass campus in 1958, George Maciunas (Mr. Fluxus) created his major late composition, Flux-Mass, in the same space, and Hermann Nitsch, the Viennese Actionist, presented his controversial Orgies-Mysteries-Theater. These radical shifts in art paralleled calls to rethink attitudes about race, sex, gender, and war during turbulent times in America’s history. Critical Mass chronicles this ephemeral work on the Rutgers campus and in New York City, and the innovations that grew from Bob Watts, Allan Kaprow, and George Brecht’s "Project in Multiple Dimensions." With texts and performance scores by artists—together with numerous photographs of the events and essays by art historians and critics Hannah Higgins, Jill Johnston, Susan Ryan, and Kristine Stiles—Critical Mass presents a vivid picture of this dynamic moment. This volume is a companion to an exhibit at the Mead Art Museum at Amherst College in Amherst, Massachusetts, and at the Mason Gross Art Galleries at Rutgers University. Browse for similar items by category: Regional - History & Criticism - Arts & Photography - Subjects - Books - United States Museums & Collections - Arts & Photography - Subjects - Books - General Exhibition Catalogs - Museums - Museums & Collections - Arts & Photography - Subjects - Books - General Paperback Trade

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Critical Mass - Happenings, Fluxus, Performance, Intermedia, and Rutgers University, 1958-1972 Information