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Spectacles of Empire - Monsters, Martyrs, and the Book of Revelation
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Spectacles of Empire - Monsters, Martyrs, and the Book of Revelation.
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Binding: Hardcover
Dewey Decimal Number: 228.06
EAN: 9780812238228
ISBN: 0812238222
Label: University of Pennsylvania Press
Manufacturer: University of Pennsylvania Press
Number Of Items: 1
Number Of Pages: 184
Publication Date: October 15, 2004
Publisher: University of Pennsylvania Press
Sales Rank: 1048123
Studio: University of Pennsylvania Press
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Book Description:
The book of Revelation presents a daunting picture of the destruction of the world, complete with clashing gods, a multiheaded beast, armies of heaven, and the final judgment of mankind. The bizarre conclusion to the New Testament is routinely cited as an example of the early Christian renunciation of the might and values of Rome. But Christopher A. Frilingos contends that Revelation's relationship to its ancient environment was a rather more complex one. In Spectacles of Empire he argues that the public displays of the Roman Empire--the games of the arena, the execution of criminals, the civic veneration of the emperor--offer a plausible context for reading Revelation. Like the spectacles that attracted audiences from one end of the Mediterranean Sea to the other, Revelation shares a preoccupation with matters of spectatorship, domination, and masculinity.
Scholars have long noted that in promising a complete reversal of fortune to an oppressed minority, Revelation has provided inspiration to Christians of all kinds, from liberation theologians protesting globalization to the medieval Apostolic Brethren facing death at the stake. But Frilingos approaches the Apocalypse from a different angle, arguing that Revelation was not merely a rejection of the Roman world in favor of a Christian one; rather, its visions of monsters and martyrs were the product of an empire whose subjects were trained to dominate the threatening "other." By comparing images in Revelation to those in other Roman-era literature, such as Greek romances and martyr accounts, Frilingos reveals a society preoccupied with seeing and being seen. At the same time, he shows how Revelation calls attention to both the risk and the allure of taking in a show in a society which emphasized the careful scrutiny of one's friends, enemies, and self. Ancient spectators, Frilingos notes, whether seated in an arena or standing at a distance as Babylon burned, frequently discovered that they themselves had become part of the performance.
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This is a great academic text about the Book of Revelation, but it is also a fascinating uncovering of Roman cultural curiosities. The author, for example, documents the importance of theatrical spectacle to imperial Rome, in which spectators gazed upon gladiator combats and the public display of monstrosities from other lands (such as exotic animals). Spectacle thus functioned to (in the author's words) "produce [sic] knowledge for all its participants" (p.35). He then shows how the Book of Revelation ... Read More
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